FORMS OF EBIRA TAO MASQUERADE IN ECHANE FESTIVAL, AVISUAL COMMUNICATION RESOURCE

  • : Format
  • : Pages
  • :
  • : Chapters
  •  
  • Click to DOWNLOAD Materials

FORMS OF EBIRA TAO MASQUERADE IN ECHANE FESTIVAL, AVISUAL COMMUNICATION RESOURCE

ABSTRACT

This study explores the various forms embedded on the costume of the Ebira Tao Masquerade in Echane Festival. It examines its effects and significance as a form of visual communication design resource. The major problem of this study there is non-documentation and effective use of the forms (signs and symbols) found on the masquerades costume as a visual resource in reaching out to the public about the rich cultural value of the Ebira Tao people.

The main objective of the study is to solve the problem through appropriate media such calendar. Billboard, poster, gift items and others design works. The researcher employed rigorous artistic studio experimentation in process of arriving at the final designs for the work. This process or procedure started from data collection and processing to the final work which was carried out using modern graphics tools and software’s Through Employing the various forms found on the masquerades costume as a visual resource in the final production of design works the generality of the public across Nigeria and beyond will through these media of communication be made aware of the rich culturally heritage of the people of Ebira Tao of Kogi State

TABLE OF CONTENTS

Title Page

Certification      …………………………………………………………………………………… i

Approval Page   …………………………………………………………………………………. ii

Dedication       …………………………………………………………………………………… iii

Acknowledgements    …………………………………………………………………………… iv

Table of contents        …..………………………………………………………………………… v

List of plate ……………………………………………………………………………..….. vi-viii

Abstract  ………………………………………………………………………………………………………………………. ix

 

CHAPTER ONE;

Introduction

1.1       Background of the Study…………………………………………………….………….1-5

1:2       Brief Historical Background of Ebira………………………………………………….5-6

1:3       Statement of the problem ……………………………………………………………..6-7

1:4       Aim and Objectives……………………………………………………………………7-8

1:5       Scope of the study………………………………………………………………………….8

1:6       Limitation………………………………..…………………………………………………8

1:7       Significance of the study……………………………………..……………………………8

1:8       Methodology/ Definition of special terms…………………………………………………9

CHAPTER TWO

2:1       Review of the Related Literature………………………………………………………11

2:2       Concept of Visual Communication Design…………………………………………11-13

 

2:3       Culture in Visual Communication Design………………………………………….13-14

2:4 Ebira and other masquerades…………………………………………………………..14-18

2:5 Form (Motifs and Symbols in Ebira Masquerade)……………………………………18-20

CHAPTER THERE;

3:1 Design Procedure and presentation of works………………………………………….21

3:2 Procedure Process……………………………………………………………………….21

CHAPTER FOUR;

4:1 Studio Experimentation…………………………………………………………………22

4:2 plate of work…………………………………………………………………………….23-53

Chapter five:

5: Conclusion…………………………………………………………………………………54-55

5:2 Recommendation……………………………………………………………………….56-57

5:3 Reference……………………………………………………………………………….58-60

 

 

 

 

 

 

 

 

 

 

LIST OF PLATES

                                                                                                                                              

Plate:   1          Eku-Opo……………………………………………………………………….23

Plate:   2          Royal Masquerade……………………………………………………………24

Plate:   3          Echo of Talking flute………………………………………………………..25

Plate:   4          Mixed Tradition………………………………………………………………26

Plate:   5          Mysterious Eyes………………………………………………………………27

Plate:   6          Traditional Musical Bands……………………………………………………28

Plate:   7          Culture of Mystery……………………………………………………………29

Plate:   8          Festival of Wild Life…………………………………………………………..30

Plate:   9          Inyaya ………………………………………………………………………….31

Plate:   10        Harbinger Masquerade………………………………………………………….32

Plate:   11        Divine Oracles………………………………………………………………….33

Plate:   12        Sacred Egg………………………………………………………………………34

Plate:   13        People Heritage………………………………………………………………….35

Plate:   14        Masquerade Calendar…………………………………………………………..36

Plate:   15        Book cover………………………………………………………………………37

Plate:   16        Compact Disc Jacket……………………………………………………………38

Plate:   17        Shopping Bag A3……………………………………………………………….39

Plate:   18        Flyers…………………………………………………………………………….40

Plate:   19        Logo…………………………………………………………………………….41

Plate:   20        Key Holder………………………………………………………………………42

Plate:   21        T – Shirt package Design……………………………………………………….43

Plate:   22        Letter Headed Paper……………………………………………………………44

Plate:   23        Sticker on plate…………………………………………………………………45

Plate:   24        Compact Disc Design………………………………………………………….46

Plate:   25        umbrella package Design………………………………………………………47

Plate:   26        Web – site Client Logon……………………………………………………….48

Plate:   27        Web – site Home page…………………………………………………………49

Plate:   28        Web – site Event page            ………………………………………………………….50

Plate:  29         Web – site About Us……………………………………………………………51

Plate:  30         Web­ – site Contact……………………………………………………………..52

Plate:  31         Web – site The Gallery…………………………………………………………53

 

FORMS OF EBIRA TAO MASQUERADE IN ECHANE FESTIVAL, AVISUAL COMMUNICATION RESOURCE

Sharing is caring!

Leave a Reply