ATTENTION: Below are Theatre Arts Project Topics with available Chapters 1-5. Click on any to read its Contents

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  1.  AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA

  2. DRAMA AS A TOOL FOR ADVERTISEMENT OF TELECOMMUNICATION NETWORKS
  3. AESTHETICS AND UTILITARIAN VALUES OF SELECTED AFRICAN AMERICAN NEGRO SPIRITUALS AND GOSPEL SONGS

  4. FOLK MUSIC IN CONTEMPORARY NIGERIA: CONTINUITY AND CHANGE

  5. A STUDY OF SOME ASPECTS OF CATTLE FULANI ORNAMENTATIONS AND COSTUMES

  6. THE FORMS AND AESTHETICS OF UDJE SONGS OF THE URHOBO PEOPLE

  7. THE INFLUENCE OF SOCIAL NETWORKING ON STUDENT ASSOCIATIONS’ ELECTIONEERING CAMPAIGN, A STUDY OF THEATRE AND PERFORMING ARTS STUDENTS ASSOCIATION (TAPASA) A.B.U ZARIA

  8. ABSTRACT TRANSFORMATION OF STILL-LIFE OF FRUITS AND VEGETABLES IN PAINTING

  9. CULTURAL PROMOTION AND IMAGE PORTRAYAL IN THE NIGERIAN MOVIES

  10. HAUSA FOLKTHEATRE AND OCCUPATIONAL GROUPS: SOME EXAMPLES IN ZARIA, KADUNA STATE

  11. A COMPARATIVE STUDY OF STYLE, THEMES FORMS AND SOCIAL FUNCTIONS OF CONTEMPORARY VISUAL AND DRAMATIC ARTS IN AHMADU BELLO UNIVERSITY, ZARIA

  12. AFRICA IN THE CARIBBEAN IMAGINATION: A STUDY OF THE POETRY OF EDWARD KAMAU BRATHWAITE, NICOLAS BATISTE GUILLEN AND DEREK ALTON WALCOTT

  13. AN ADAPTATION OF KWAGH-HIR PUPPETS TO CREATE KINETIC PAINTINGS

  14. DIASPORA, CITIZENSHIP, AND GEOGRAPHIES OF IDENTITY IN THE DRAMATURGY OF AMIRI BARAKA AND AUGUST WILSON

  15. ADAPTATION OF THE DAGI MOTIF FOR PAINTING

  16. EVOLUTIONS IN THE NIGERIAN ARABIC POETRY OF THE 21 S T CENTURY IN ZARIA CITY

  17. CHOREOGRAPHY IN WEST AFRICA: KINESIS, PROXEM1CS AND ADORNMENT IN NIGERIAN AND GAMBIAN DANCE PRACTICE

  18. INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY

  19. THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE

  20. STAGE MANAGEMENT PRACTICE IN THE AKWA IBOM STATE COUNCIL FOR ARTS AND CULTURE

  21. A COMPARATIVE ANALYSIS OF THE EXPERIMENT AND FEEDBACK OF THE THEATRE FOR DEVELOPMENT PROJECT IN IBIAKU  COMMUNITY 2013

  22. AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA

  23. FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL

  24. AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE

  25. CONFLICT-SENSITIVE REPORTING IN NORTHERN NIGERIA

  26. FROM DIFFUSION TO COMMUNITY PARTICIPATION: THE COMMUNICATION STRATEGIES OF THE NATIONAL MALARIA CONTROL PROGRAMME (NMCP)

  27. A GENDER ANALYSIS OF NIGERIA’S MILLENNIUM DEVELOPMENT GOALS IMPLEMENTATION REPORTS

  28. AN APPRAISAL OF ELECTRONIC WALLET COMMUNICATION IN GROWTH ENHANCEMENT SUPPORT SCHEME OF AGRICULTURAL TRANSFORMATION AGENDA

  29. ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION

  30. COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECT NIGERIAN HOME MOVIES

  31. COMMUNICATION AND GOOD GOVERNANCE

  32. COMMUNICATION IN AGRICULTURAL RESEARCH AND INNOVATION PROCESS

  33. TESTIMONIAL ADVERTISING AND CONSUMER BEHAVIOR OF CHIEF ZEBRUDAYA’S CELEBRITY ROLE IN “ELEPHANT BLUE DETERGENT”ADVERT

  34. THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS

  35. VIOLENCE PORTRAYAL IN HOLLYWOOD AND IMPLICATIONS FOR YOUTHS‟ MORAL DEVELOPMENT: A READING OF “THE HOSTEL” AND “THE LAST HOUSE ON THE LEFT”

  36. WOMEN’S PARTICIPATION IN COMMUNICATING PRIMARY HEALTH-CARE POLICY

  37. YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY

  38. THEATER AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS

  39. A CRITICAL STUDY OF SOCIO-CULTURAL PRACTICES HINDERING WOMEN’S POLITICAL PARTICIPATION

  40. ROLE OF MUSIC IN TRADITIONAL FESTIVAL

  41. IMPACT OF HOME VIDEOS (FILMS) TO YOUNG YOUTHS IN NIGERIA (A case study of Kaduna state

  42. HOW TRADITIONAL IS AFRICAN DANCE TODAY: AFRICAN DANCE AND ITS ESSENCE

  43. THE INFLUENCE OF FOREIGN TELEVISION ON NIGERIAN YOUTHS: A CASE STUDY OF YEAR TWO STUDENTS IN DEPARTMENT OF THEATER AND FILM STUDIES, UNIVERSITY OF PORT HARCOURT

  44. COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA

  45. THE IMPACT OF MUSIC ON TELEVISION COMMERCIAL

  46. COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR

  47. FORTUNE PALMS” A VIDEO DOCUMENTARY ON PALM OIL PRODUCTION IN RISON PALM, UBIMA.

  48. MAN MATRIMONY AND SEX IN NIGERIAN DRAMA. A CASE STUDY OF WIVES REVOLT BY JP CLARK AND BROKEN CALABASH BY TESS AKAEKE ONWUEME.

  49. PROBLEMS AND PROSPECTS OF MOVIE MAKING IN NIGERIA’S NOLLYWOOD
  50. MASK MAKING AND ITS USES IN CHILDREN’S THEATRE: A CASE STUDY OF UNIVERSITY OF PORT HARCOURT CHILDREN.

  51. AN APPROACH TO CHILDREN’S THEATRE THROUGH CREATIVE DRAMATICS.

  52. THE ACTOR AND HIS ROLE: A CASE STUDY OF THE CHARACTER OF EGO IN ADAEZE ATUEGWU’S MY HUSBAND’S MISTRESS.

  53. ROLE INTERPRETATION: THE CHARACTER OF OBIAGELI IN “OTAELO”, BY AHMED YERIMA.

  54. WOMEN AND LEADERSHIP IN NIGERIA DRAMA. THE EXAMPLE OF ROTIMI JOHNSON’S THE COURT OF THE QUEEN’S BY UDENWOKE ALPHONSIANA CHIZOBA.

  55. STRATEGIES FOR THE MANAGEMENT OF THE THEATRICAL EVENTS IN CHIEFTAINCY INSTALLATION CEREMONIES. THE CASE IN BUGUMA, RIVERS STATE.

  56. WOMEN SUBJUGATION IN SOUTHERN NIGERIA. A STAGE DRAMATIZATION OF THE WIVES REVOLT BY JP CLARK.

  57. THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL: A CASE STUDY OF ODI OGORI FESTIVAL OF KOLOKUMA/OPUKUMA LOCAL GOVERNMENT AREA OF BAYELSA STATE.

  58. NIGERIAN HISTORICAL MOVIES AND THE SOCIETY. A STUDY OF ODUDUWA AND KING JAJA OF OPOBO.

  59. THE DRAMATIST AND SOCIAL HISTORY IN NIGERIA. A CASE STUDY OF OVONRAMWEN NOGBASI BY OLA ROTIMI

  60. THE PROSPECTS OF THEATRE FESTIVALS IN NIGERIA AS TOURIST ATTRACTION – A CASE STUDY OF THE NATIONAL THEATRE.

  61. THE MANAGEMENT OF A CULTURAL DANCE: A CASE STUDY OF “DIBU UGO CULTURAL DACE OF UGIRI” ISI-ALA MBANO

  62. THE STRATEGIES FOR MANAGING A TRADITIONAL THEATRE PERFORMANCE IN BUGUMA RIVERS STATE, NIGERIA. A CASE STUDY OF IKAKI MASQUERADE PERFORMANCE.

  63. BUILDING THE CREATIVE POTENTIALS OF THE ADOLESCENT: THE CREATIVE DRAMATISTICS APPROACH.

  64. “LABISTA”: THE ROLE OF CONTINUITY IN THE MANAGEMENT OF A FILM PRODUCTION.

  65. THE NIGERIAN ACTOR AND THE PERSONALITY QUESTION. A CASE STUDY OF SOME ACTORS.

  66. REALIZING THE CHARACTER IN ACTING THE ROLE OF PAPA ONA IN AMANDA N. ADICHIE “FOR LOVE OF BIAFRA”.

  67. MANAGEMENT STRATEGIES IN GOVERNMENT AND PRIVATE OWNED THEATRES IN NIGERIA. A COMPARATIVE STUDY

  68. NIGERIA’S NOLLYWOOD: PROBLEMS AND PROSPECTS OF MOVE MAKING IN NIGERIA

  69. DRAMA AS AN INSTRUMENT FOR CONFLICT RESOLUTION IN NIGERIA. A LITERARY ANALYSIS OF AMANDA ADICHIE’S FOR LOVE OF BIAFRA

  70. THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL. A CASE STUDY OF ODI UMAUCHI OWERRI FESTIVAL OF EHIME MBANO LGA OF IMO STAT

  71. ROLE OF INTERPRETATION AND CHARACTER DEVELOPMENT OF “TONYE” IN THE FILM, “DAWN OF A NEW DAY” DIRECTED BY IKEZEM GODSWILL

  72. THE IMPACT OF TOYS IN CHILDREN’S EDUCATION

  73. DRAMA AND THEATRE AS TOOLS FOR HISTORICAL ANALYSIS – CASE STUDIES OF BELL-GAM’S KING JAJA AND ODUM EGEGE BY MIESOINUMA MINIMA

  74. THE ACTOR AS AN INSTRUMENT OF SOCIAL CHANGE. A CASE STUDY OF THE INTERPRETATION OF EBUBE BY SAM DEDE IN ISAKABA I AND II

  75. THEATRE EDUCATION ON CHILD LABOR AND WOMEN TRAFFICKING: A CASE STUDY OF WOTCLE

  76. RAPE AND AGGRESSIVE SEXUAL BEHAVIOUR: CAUSES AND EFFECTS. A PRACTICAL VIDEO DOCUMENTARY FIL

  77. PERFORMER AS AN EXPRESSIVE MEDIUM OF A PEOPLE’S: A CASE STUDY OF UKO AKPAN CULTURAL GROUP OF AKWA IBOM STATE

  78. PUBLICITY AS A MARKETING STRATEGY. A CASE STUDY OF ELECHI AMADI’S ISIBURU AS PRODUCED BY THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.

  79. LIGHT AS ILLUMINATION AND EFFECT: A LIGHTING PROJEC

  80. TRADITIONAL THEATRE AS A MEANS OF COMMUNICATION

  81. THE NEED FOR A SUSTAINABLE THEATRE MANAGEMENT POLICY IN NIGERIA COUNCIL FOR ARTS AND CULTURE: A CASE FOR DELTA STATE COUNCIL FOR ARTS AND CULTURE

  82. THE THEATRE ARTS GRADUATE AND THE LABOUR MARKET IN NIGERIA

  83. THE IMPACT OF MANAGEMENT ON THE DEVELOPMENT OF A FESTIVAL: A CASE STUDY OGWU-EKPEYE OF THE EKPEYE TRIBE OF RIVERS STATE

  84. PROJECTING A STATE IMAGE THROUGH THE THEATRE: THE CONTRIBUTIONS OF THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.

  85. THEATRE MANAGEMENT IN DELTA STATE COUNCIL FOR ARTS AND CULTURE. A CASE STUDY OF DELTA STATE COUNCIL FOR ARTS AND CULTURE

  86. THE TASK OF MANAGING A RADIO STATION. A CASE STUDY OF BAYELSA STATE RADIO CORPORATION

  87. PROBLEMS OF THEATRE MANAGEMENT IN IMO STATE. A CASE STUDY OF IMO STATE COUNCIL FOR ARTS AND CULTURE.

  88. THE SCREEN ACTOR AND CULTURAL IDENTITY. A CASE STUDY OF IGODO.

  89. COMEDY AS A SOCIAL COMMENTARY. A CASE STUDY OF ELECHI AMADI’S PEPPERSOUP AND ZULU SOFOLA’S THE WIZARD OF LAW.

  90. CREATIVITY AND THE PHYSICALLY HANDICAPPED. A VIDEO DOCUMENTARY ON THE HOPE FOR THE DISABLED.

  91. LEADERSHIP CRISIS AND INEQUALITY IN NIGERIA: A CASE STUDY OF JULIE OKOH’S WHO CAN FIGHT THE GODS?

  92. DIRECTING AN EDUCATIONAL THEATRE: A CASE STUDY OF BAKARI OJO RASAKI’S “DRUMS OF WAR”.

  93. MANAGING A STAGE PLAY WITH LIMITED RESOURCES. A CASE STUDY OF HENRY BELLGAM’S UBE REPUBLIC.

  94. JUSTIFICATION FOR THE TEACHING OF DRAMA IN CHILDREN’S THEATRE IN RIVERS STATE PRIMARY SCHOOL.

  95. COSTUME AND CULTURAL EXPRESSION: A STUDY OF MOLIERE’S THE MISER AS A PRACTICAL THEATRICAL EXPERIENCE.

  96. A COMPARATIVE STUDY OF STAGE AND TELEVISION PRODUCTIONS – PROBLEMS AND PROSPECTS.

  97. THEATRE AS A MEDIUM FOR ENHANCING OUR STANDARDS OF LIVING AND DYING: A DIRECTORIAL APPROACH TO BARCLAYS AYAKOROMA’S. A MATTER OF HONOUR.

  98. EXPOSING THE AFRICAN CULTURAL HERITAGE. A CASE STUDY OF ZULU SUFOLA’S KING EMENE.

  99. POLITICS AND CLASS CONSCIOUSNESS: A CASE STUDY OF OLA ROTIMI’S IF………… AND HOPES OF THE LIVING DEAD.

  100. CHARACTER INTERPRETATION IN NIGERIAN VIDEO FILMS: A CASE STUDY OF SAM DEDE.

  101. DRAMA AS A TOOL FOR SOCIAL CHANGE: A CASE STUDY OF EKENNA UDO-IGWE’S LIVING DEAD, PRODUCED BY EMMALEX PRODUCTIONS, 2004.

  102. DRAMA AND THEATRE PRACTICE AS EFFECTIVE MEANS FOR CHILDREN’S DEVELOPMENT. A CASE STUDY OF UNIVERSITY DEMONSTRATION SECONDARY SCHOOL

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